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Marie Fleur MANGA ATEDZOE, <\/strong>Universit\u00e9 de Yaound\u00e9 1\/ <\/em>mariemanga025@gmail.com<\/em><\/a><\/p>

Paul SAMSIA, <\/strong>Ma\u00eetre de Conf\u00e9rences<\/em> (<\/strong>Universit\u00e9 de Yaound\u00e9 1) \/ <\/em>samsiapaul@yahoo.fr<\/em><\/a><\/p>

Divine CHE NEBA, <\/strong>Ma\u00eetre de Conf\u00e9rences<\/em> (<\/strong>\u00c9cole Normale de Yaound\u00e9) \/ <\/em>nebankwigang@yahoo.com<\/em><\/a><\/p>

\u00a0<\/strong><\/p>

R\u00e9sum\u00e9\u00a0<\/strong><\/p>

La chanson, en tant que genre de la litt\u00e9rature orale, accorde une place essentielle \u00e0 la culture d\u2019un groupe. Au Cameroun, l\u2019ethnie ewondo poss\u00e8de des chansons traditionnelles d\u2019une immense richesse, nourries par les musiques, les gestes et les prestations corporelles qui r\u00e9v\u00e8lent une structure rituelle profond\u00e9ment communicationnelle. La chanson fun\u00e8bre attire une attention particuli\u00e8re en raison de sa port\u00e9e symbolique. \u00c0 travers la performance po\u00e9tique de ladite chanson, se dessine une vitrine d\u2019expression identitaire inscrite dans le patrimoine immat\u00e9riel. Par l\u2019\u00e9tude des fonctions et des valeurs symboliques li\u00e9es \u00e0 la performance de la chanson fun\u00e8bre, nous d\u00e9montrerons les contours de l\u2019identit\u00e9 culturelle ewondo. En s\u2019appuyant sur un corpus de chansons fun\u00e8bres, cette recherche pr\u00e9sente l\u2019art chant\u00e9 comme m\u00e9moire intemporelle et mod\u00e8le culturel autour duquel se d\u00e9veloppent les civilisations en mutation.<\/p>

Mots-cl\u00e9s\u00a0<\/em><\/strong>: chanson fun\u00e8bre, Ewondo, performance po\u00e9tique, fonction, valeur symbolique, patrimoine culturel, Cameroun<\/em><\/p>

T\u00e9l\u00e9charger l’article<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Marie Fleur MANGA ATEDZOE, Universit\u00e9 de Yaound\u00e9 1\/ mariemanga025@gmail.com Paul SAMSIA, Ma\u00eetre de Conf\u00e9rences (Universit\u00e9 de Yaound\u00e9 1) \/ samsiapaul@yahoo.fr Divine CHE NEBA, Ma\u00eetre de Conf\u00e9rences (\u00c9cole Normale de Yaound\u00e9) \/ nebankwigang@yahoo.com \u00a0 R\u00e9sum\u00e9\u00a0 La chanson, en tant que genre de la litt\u00e9rature orale, accorde une place essentielle \u00e0 la culture d\u2019un groupe. Au Cameroun, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8830","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/posts\/8830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8830"}],"version-history":[{"count":4,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/posts\/8830\/revisions"}],"predecessor-version":[{"id":8834,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=\/wp\/v2\/posts\/8830\/revisions\/8834"}],"wp:attachment":[{"href":"https:\/\/grece-tchad.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grece-tchad.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}